The sculpture which is made of salt will then be placed in a meadow where animals will continue to sculpt it with their tongues until it disappears.
“Guarda indietro per non essere travolto” (Look behind not to perish) emphasizes her interest for ethno-anthropological studies about our territory. Famous researchers such as De Martino, Friedmann, De Rita’s works become therefore subjects able to materialize themselves into an idea of a sculpture-installation that recalls psychological and sociological thematics such as the nature of the relationship between myth and rite, superstition, symbolical efficiency, the reality of magical powers.”
(Angelo Bianco, curator, 2005)